TV review: "White Collar" on USA

I probably wouldn't have watched this show if it weren't for Matthew Bomer. Sure, USA has been advertising the hell out of it, but they do that for everything--but I've been less than impressed with some (Royal Pains, In Plain Sight, The Starter Wife). But I recognized Matthew Bomer from Tru Calling, and of course Willie Garson from Sex and the City. So I set my DVR and watched it.

Matthew Bomer is Neil Caffrey, a convicted felon, who escapes from prison at the start. He then steals a car with ease and makes his way to New York City. He doesn't get far, though; the FBI agent who originally caught him, Peter Burke, finds him again in the deserted apartment of his girlfriend. Caffrey goes back to jail, but ends up being temporarily released into Burke's custody, in order to help Burke and the FBI catch a forger they call "The Dutchman".

This really was a just about perfectly balanced premier. We got history, but not too much. We got hints of the future, hints of mystery, but not enough to be obnoxious and frustrating. The character interaction was authentic and often amusing; Caffrey and Burke have a good rapport. The storyline of catching the other forger was interesting, and also believable. The story had clever twists, and there were some interesting camera angles and zooms, but there was none of the over-the-top, Ocean's 11-type style that ended up turning me off of TNT's Leverage. I'm really glad I did watch this; I think it's going to be a great series.

And of course, the adorableness that is Matt Bomer doesn't hurt.

If you missed it, it'll be re-running on USA all week.

TV commentary: House M.D. episode 3, "The Tyrant"

I don't know that I can really maintain a weekly review/commentary of the series, but I just had to say something about this one! If you haven't seen it, stop reading, because I'm not going to shy away from spoilers.

In case anybody needs reminding, this is the episode where James Earl Jones plays an African dictator the team treats. House is still on the sidelines, as he doesn't have his medical license back yet; and I think that has a lot to do with why it ended as it did, because holy shit! Chase killed a guy! I am amazed. I didn't think Cameron would do it, even though she was so angry about treating him. And I didn't think Chase would, because he's, well, he's been such a pansy in the past!

Honestly, if House had been truly involved and invested in the case, I think things would've gone differently. I think House would've been savvy to Chase's actions if he'd been there every step of the way, instead of shoved to the sidelines. It's just another instance of Foreman falling short--he's an arrogant ass, and he's not half as smart as he thinks he is. He may solve the odd medical problem, but he doesn't have the innate understanding of other people nor the observant nature of House.

What would House have done, had he been in charge of the patient's care? He's implied in the past that he's helped terminal patients die; but I don't think he would kill the tyrant. I think he'd debate with him, and perhaps House's peculiar but spot-on logic would have swayed him. Even if it didn't, I think House would have treated him and sent him on his way--because despite his bullying of patients, and his denouncing of most as idiots, he also has respect for the free will of individuals, so long as they accept responsibility. House wouldn't condone the slaughter of an ethnic group, but he wouldn't think it was his responsibility to prevent either. He may take a ridiculous amount of responsibility upon himself, for his own decisions; but he won't accept the burden of others' choices.

So now Chase is a murderer, Foreman is an accomplice, and next week the hospital has to submit a report of the president's case. Can scleroderma be disproved after death? Will Cuddy spot something hinky with the files? Spoilers have been let out that Cameron will be leaving the show--something which shocks me--and that it has something to do with this episode. Will she leave her husband and Princeton Plainsboro when she finds out what Chase has done? Or will she take the fall for him and leave because of that? Gah!

This was just an amazing episode overall. I loved seeing House's old team together again, although it felt a bit stilted with Foreman in charge. Chase's sarcastic coffee cup salute was awesome and made me laugh. Cameron, with her "insane moral compass", was excellent at once again giving the ethical dilemma while not resolving it.

Wilson, who I usually love, made me want to slap him. His best friend just had a mental breakdown and spent months in the psych ward, and he's kicking him out of his stable, safe environment over a goddamn fountain? What a jerk! Of course, in many ways Wilson has always been a jerk--after all, who does House go to when he wants to manipulate a patient?

And House, of course, was still struggling with the aftereffects of his breakdown. I miss his sarcastic witticisms, which seem dulled by his attempt to change. Change is healthy, of course, but the strain of holding his tongue when dealing with the jerk downstairs was obvious. I hope that next week shows a return of House to the center stage--Foreman is obviously not capable of running the department, and after all, the show is called House.

The stand-out of this episode was really Jesse Spencer, though. His internal conflict, his approach to the patient and its evolution, and his confrontation with Foreman .... absolutely amazing. I hope he has more chances to season to do such great work.

TV review: Nip/Tuck

Without spoiling storylines, it's hard to fully express how absolutely insane this show is. It's a soap opera on crack with occasional lucid periods. It's absolutely a drama, absolutely outside the realms of reality--but with enough touches of the mundane to make it swallowable. It's depressing sometimes, exploring the vulnerabilities of peoples' lives and neurosis, and then there are touches of humor (usually morbid) that make me laugh out loud. It's touching, and horrifying, and uplifting, and hilarious, and suspenseful, and I absolutely fucking love it.

To give a basic rundown: Nip/Tuck follows the lives of two plastic surgeons and their families. Christian Troy (played by McMahon) is hot and knows it. He's a man-whore, an arrogant jerk, a womanizer, and generally an asshole. Sean McNamara (played by Dylan Walsh) is married with two kids, is vaguely miserable, and is the kinder, gentler member of McNamara/Troy, their plastic surgery business. The contrast between their two lifestyles is made immediately apparent: Christian picks up a model in a bar and takes her home, where he snorts coke off her body and has crazy hot monkey sex with her. Interspersed into that scene are shots of Sean at home in bed with his wife, lethargically humping while she stares at the ceiling.

Of course, that static shot of their lives is only the surface--through the course of four seasons, we've learned that Christian has a lot of secrets he hides from with sex, and Sean has a lot of issues he represses. They both envy what the other has, and make various attempts to live each other's lives with varying degrees of success, and often spectacular failures. This is not a happily-ever-after show.

In addition to the frequent and gratuitous sex, there are graphic surgery scenes in every episode--definitely not for the squeamish. I think that's the thing that turns most people off the show; when I mention it, people either love it or say they can't stand surgery scenes. But the fact is, the surgery scenes are an underscore, a way of drawing to attention to the bloody, painful, ridiculous lengths people go to for beauty. And although each episode is named for the patient being operated on, the storylines are rarely about the patients. They're there, but always in relation to how they affect Sean or Christian.

One important thing with Nip/Tuck: start from the beginning. If you come in anywhere else, you'll be confused. You'll also not have as good an appreciation for the characters and their motivations--one of the things that makes this a great show is the fact that the characters don't make their choices in a vacuum. Their actions make sense in light of their past (for the most part--nothing's perfect). When Christian blatantly, intentionally fucks up a relationship, we understand why even though we think he's a stupid ass. If you're new to the show, you'll see the superficial motivations for things, but not the finer points.

For all the T&A, flashy production, and bloody surgery scenes, Nip/Tuck is a thought-provoking show. Fast-forward through the surgery scenes if you have to, but give it a try.